Wednesday, 6 July 2016
Hallo
A broad leaf. So broad that it can endure the siege of heavy raindrops that powerfully strike it, creating a corny rhythm, and yet so magical. And the Moon. Yes, It. Surrounded by that hallo of luminous dust, which so generously often borrows to others. A broad green leaf and a Moon hallo. A light breeze, abounding of wet herbs.
Saturday, 2 July 2016
Everyone has their own sandglass – Haralamb Zincă
This
book caught my interest from the very beginning due to a story about Vlad
Mușatescu. And then, I was allured by the superb narrations of somewhat
familiar far-off places. Somehow, it seems that the passing of time does not
affect the nature of people.
Haralamb
Zincă ardently writes about the people he met during the Second World War, when
he voluntarily joined the Soviet army.
Family,
memories and friends are the main characters. And all of them are dominated by
that invisible sandglass, keeping the score of our days. A super-hero is mother, presented in the last pages of
the novel. But what if the sandglass does not carry us, and it’s the other way around?!
Thursday, 23 June 2016
A seemingly goose dog
I keep staring in fear every time I arrive on the street I live. A few weeks ago, one of the neighbors that live in houses with yards decided to give her K-9 a walk in the street. Actually, a very honorable deed. The only problem is that she considers that as long as her dog is not aggressive towards her, it’s the same case for everybody else walking in the street. So, she let it take a walk by itself. Like our grandparents used to do in the countryside when they let their flock of geese wander about in the street.
The first time I saw it walking alone in the street, my heart stop beating. I waited for a while, watching it how it passed by my block of flats, and then, I slowly entered the building.
The second time, a child came out from a yard and measured noses with our walker. Horror swiftly spread onto his face. He started crying and gave a somewhat impression of wanting to run. Out of nowhere, the dog’s master appeared and yelled that it is best for him not to run. ‘It’s very important that you do not run!’, she yelled. It’s fine that these days we can still find people that could tell us what is important not to do. I don’t even want to think about what could have happened if she hadn’t appeared then.
I have nothing against walking the dog! Of course it must be taken out for a walk from that narrow place in the yard. But in a leash and accompanied by its master. Especially, when we’re talking about a K-9.
And just as I am writing these lines, a lady is walking her two small dogs which could fit in a pocket of a coat. Both in leash.
It’s not that hard to make a small effort for the others, is it?!
Friday, 20 May 2016
‘The Folding Canvas Chair of the Actor’ by Mircea Diaconu
Reading the book ‘When winter comes
here, to us’, I realized that Mircea Diaconu is not just a magnificent
actor, but also a great story-teller. Consequently, when I saw the book ‘The
Folding Canvas Chair of the Actor’ on a shelf in a bookstore, I did not think too
much about buying it.
I read it very quickly, fearing that soon I would finish it. And, actually, this is what makes a good book stand out. Not pompous words and praises about the skill of the writing words. No. Only that intense experience and that curiosity which keeps one reading, even though one feels sad about finishing the book.
I read it very quickly, fearing that soon I would finish it. And, actually, this is what makes a good book stand out. Not pompous words and praises about the skill of the writing words. No. Only that intense experience and that curiosity which keeps one reading, even though one feels sad about finishing the book.
To have the courage of not
taking oneself too seriously after years and years of experience and resounding
successes… well, this is for me the definition of modesty.
Mr. Mircea Diaconu writes with an extraordinary modesty about his beginnings. Moreover, this modesty is a pledge of his immense love for his profession. Self-irony and cynicism appear also in the book, and they represent for me the tastiest ingredients one could find in the written literature. I share the same fascination with the author about autumn – for me, it had almost always marked beginnings – which he so lovely presents in some pages of his book.
Mr. Mircea Diaconu writes with an extraordinary modesty about his beginnings. Moreover, this modesty is a pledge of his immense love for his profession. Self-irony and cynicism appear also in the book, and they represent for me the tastiest ingredients one could find in the written literature. I share the same fascination with the author about autumn – for me, it had almost always marked beginnings – which he so lovely presents in some pages of his book.
‘The Folding Canvas Chair
of the Actor’ is not a book about theatre or movie, in general. It is an
arrow-actor willing to make all necessary sacrifices in order to get to the
point where it was sent to. It is, if one wants, a ‘just for fun’ lesson about
what it means to be motivated and to love (one’s profession, the public, personal
life, colleagues, things around one and that encourage one, enemies, critics, texts to be memorized, and even the pictures taken for marketing purposes).
Monday, 16 May 2016
‘Happy Funerals’ (2013)
I have recently seen ‘Happy
Funerals’. It’s been a while since I wanted to watch this movie, and I now had my
chance. On the 15th of April 2016, at the Florin Piersic Cinema in Cluj Napoca.
Yes, a month has passed since then, but I am like this – to the things that
greatly impress me I leave them time to settle down within me, while I digest their
preciousness.
Right before the movie
started, Mr. Horațiu Mălăele told us that this movie is very dear to him and
has a great significance for him. I understood why he said that, or maybe not
entirely, when tears came to my eyes at the end of the movie.
I am going to start with
the beginning, though. Once I saw the movie ‘Nuntă Mută’, my interest in
Romanian movies suffered a reanimation. I hadn’t experienced that since ‘Buletin
de București’ and ‘Filantropica’. But then, step by step, I watched on youtube
some extraodinary Romanian old movies, among which I must mention ‘Singurătatea
florilor’. Oh, but I got carried away. Something I easily do. Since I saw the
movie ‘Nuntă Mută’, I have been waiting for Mr. Mălăele to come with another
movie. It has been a while, but it was worth it. ‘Happy Funerals’ is an
incredible movie-symbol. I already feel like I have enormously chopped away of
its mastership by qualifying it like this. It is more, actually, a lot more. It
is life in its purest whirl, it is smile and intense living, it is friendship
and hypocrisy, it is song and strong love for tomorrow. The actors play
wonderfully, a mild and tender delight.
After seeing the movie, I
tried to buy a DVD with it, but I could not find one. I would have loved to
give it to everyone in search of answers or questions. Do believe me, this
movie contains them all! So, I drew the conclusion that Mr. Horațiu Mălăele was
right when he had asserted that his movies haven’t been so much appreciated in
our country, yet he was glad that at least they were successful abroad. ‘Happy Funerals’
is a movie that must be seen at least once in a lifetime (that is also because
it is possible that when you see it for the first time, you might not grasp
some symbols), and not because I say so, but because you must convince
yourselves that something so extraordinary exists.
Friday, 13 May 2016
Susan Sontag – In America
Emigrating
can be an experience hard to describe; but, still, Susan Sontag manages to
grasp its main points. And moreover, within the pages of her novel she presents
torments related to social life, professional life, couple’s existence,
aspirations, wishes more or less hidden, and fragments of a woman’s soul.
I hope
the fragments below will convince you:
‘Such a humiliating
experience to be robbed of the past. No one knows – and even if they did, who would
care?! – who my grandfather was. General… what's his name? Maybe they heard of
Pulaski, but only because he came to America, or of Chopin, because he
lived in France. While in Poland, I used to congratulate myself that my sense
of dignity was not due to my name or rank. I was far too different from my
family, I had better and more beautiful goals, I had other weaknesses. But I
was proud to be Polish. And here, this pride, and being Polish, is no longer
relevant, and also an obstacle, for it transforms us into out of fashion
people…’
‘Sparks of hope, like some sparks of desire. A
new start. I wonder how many things should one give up to in order to have the
privilege of ‘the new start’. For more than fifty years, Europeans have told
themselves: ‘If things should go bad, we can leave anytime to America.’ Lovers
whose connection was not accepted by society, running away from their families’
interdictions, artists incapable of winning a public worthy of their work,
revolutionaries oppressed by the futility of their revolutionary effort….
Towards America we go! This America that should repair the absurdity of Europe’s sins
or simply make one forget about what one had wanted, and replace one’s wishes
with new ones.’
‘One must make one’s goals float a little
higher from the ground, to keep others from profaning them. Also, one should
free oneself from drawbacks and humiliation so that they won’t root within one
and suffocate one’s soul.’
Wednesday, 4 May 2016
My dear Vlad!
Today,
we celebrate 94 years since the day Vlad Mușatescu was born. And what
kind of celebration is that without one of his wonderful texts?!
Vlad
Mușatescu – The Games of Detective Conan
(excerpt)
If I was
admitted, actually seized, in room nr. 2 to the Clinique of the Institute of
Endocrinology, everything is due to my desperate attempts to find an oasis of
peace in order to finish my so long dreamed novel. The magazine I work for, for
over two decades, had approved two creation holidays. That I wasted in hopeless
searches that resulted in disasters. Because, during the aforementioned holidays,
if I did not manage to write anything remarkable, at least I totally made use
of my detective inclinations. Except for the almost total demolition and
disintegration of ‘Bombitza’ (my 600 D Fiat), now in reconditioning, under the direct
supervision of my nephew, the engineer, at ‘Cyclops’ workhouse, from Drumul
Taberii, everything turned out just fine. That is, without me writing my novel,
and a surplus of weight. Bulgarian Penke, my wife, together with aunt Ralitza,
the craziest representative of my family, from my father’s side, were both
scared by my successes in this area, and convinced me, almost forced me, to
accept being scientifically explored by the eminent doctors from ‘Parhon’. Fed at
gram and by feeding bottle, only with diuretic and laxative teas, with
unidentifiable vegetables and fruits (5% carbohydrates), I was no longer
capable of thinking straight, let alone write a single line at my dream novel.
Or, my good friends, Doru-the doctor and Sandu- the big guy ensured me that I
will become a kind of super-writer. Once my body was toxin-free, coming from
unreasonable nourishment, I would have the capability of an astronaut, able to
create genial pages. That’s a good one! Even from the very first day, I felt a
permanent state of dizziness. If the night shift janitor of the Institute hadn’t
taken me to his heart, the next day I would have been dead. So, because of him,
I came back to the normal life. And to my favorite food, that I could never consider
harmful. What could be so dangerous in a slice of well-done bacon, a little
brown just enough to become crunchy, accompanied by 16 fried eggs, and a couple
of strong coffees, well-smoked by some quality cigarettes? After all, let’s be
serious! Had Balzac been a bag of bones? Or Alexandre Dumas- the father? No
way. Just look at their photos and you will be convinced of the contrary.
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